Drivers passing through Indian Wells normally encounter a monotonous stretch of lawns, sidewalks and opulence. Now, though, travelers are sighting a colorful, quirky object on the horizon. It’s the old Carl Bray gallery sign, recently replanted by the City.
The resurrection of the palette-shaped Smoke Tree Painter sign is a testament to the tenacity of the Indian Wells Historic Preservation Foundation. The group, led by Adele Ruxton, kept nudging the City for the last five years to see the project through. Preservationists all over the Valley lobbied to save Carl’s roadside gallery and home when it was threatened with demolition in 2010, but it was ultimately torn down anyway. Carl died in Banning the following year. As part of a mitigation agreement (by law, you have to make amends if you tear down an important place), the City was bound to construct a marker at the site.
To the joy of all it’s finally taking shape. The sign is actually a replica, as the original was too weathered to stand beside the highway. The restored original will be displayed in the protected confines of City Hall. The five blank panels on the stone wall next to the roadside sign will hold text describing the history of Indian Wells, along with the story of Carl Bray and the Smoketree School of desert art. Watch for a dedication ceremony in the fall of 2015.
Paintings by the Inch
Our recent article by Gary Fillmore on appraising desert art prompted more tips. One reader suggested going to websites like AskArt.com where you can look up auction prices for your artist and come up with a ballpark value. Some information on the site is free but there’s a fee for auction numbers. With a 24-hour subscription ($14.95) you can self-appraise the stack of paintings in the hall closet.
Mark Wasserkrug –a Palm Desert expert on old guns and desert art–wrote explaining his unusual method of putting a price on paintings. He looks at recent auction prices and breaks the numbers down by the square inch: “The values could range higher and lower depending on the year the work was produced, oil or watercolor or ink, subject matter and of course condition. I have been using the square inch method for about 20 years now and it really works well.”
Wasserkrug describes himself as “an art enthusiast who collects way more than I ever sell.” Feel free to contact him with your square-inch questions about California and desert paintings.
firstname.lastname@example.org or call (760) 831-1120
Mystery Artist Lena Strother
Kay Levie, director of the stylish and happening Borrego Art Institute, introduces our mystery artist of the month.
“I have some rather wonderful paintings by an artist named Lena Strother but I can’t find any information on her,” Levie writes. “She is much too talented not to be noticed somewhere. Strother’s paintings have wire embedded in the paint–very unusual–and her signature is in wire. These are well done and appear to have some age on them.”
If you have information on this desert-wire artist please contact Kay: email@example.com
Also, be sure to visit the Borrego Art Institute website and read about their new Borrego ArtFarm project:
What the Rocks Tell Painters
Some of the most engaging desert artists have one foot in the natural sciences–botany, geology, even paleontology. J. Brad Holt, a Utah artist, gives dazzling evidence of the link between geology and landscape painting in a series he wrote for the Plein Air Collector magazine and Outdoor Painter newsletter. Rock is rock, whether it’s Bryce Canyon or Anza-Borrego, and Holt’s advice– “know your physiographic province”–applies just as well to our local desert painters. For a journey into primeval forces and “tectonic tumult” see:
Cactus Capers Mystery
David Villasenor was a well-known sand painter who at one time lived in Glendora and showed his work at the Desert Magazine Art Gallery in Palm Desert. Born in Mexico, he learned the sand-painting art among the Navajos in Santa Fe.
Neal Gray recently came across two intriguing sketches by Villasenor, from a series of 21 cartoon-style illustrations called Cactus Capers. The sketches–Fancy Tennis and Mowing Them Down–are dated 1939. The Cactus Capers series appears to have been linked to a book or magazine project, but the story behind them is lost.
Neal writes: “The David Villasenor watercolors were purchased in a rescue mission store in Billings, Montana. My friend who purchased them recognized the signature from when he was growing up in California because some of his family had gone to an art seminar at which Villasenor was the presenter. ”
Does anyone know the story behind Fancy Tennis, Mowing Them Down and the other 19 mystery capers? The sketches are for sale at Neal’s shop in Moorcroft, Wyoming. To reach Neal Gray call (406) 794-8393 or write firstname.lastname@example.org.